2010 and Awesome Happenings

•January 11, 2010 • Leave a Comment

Well hello, and Happy New Year! It’s a few weeks, eh? I’ve been on break from grad school for practically a month. It’s very strange. 15 grueling weeks of self-inflicted art pain followed by the silence of a break. I traveled a bit: to freezing NYC and to sweaty LA. I didn’t see any art while I was in NYC, and of all the movies I could have seen, including Avatar and Up in the Air, I chose to see It’s Complicated? Kill me.

Two big updates for the moment. The first is that I’ll be participating in a performance art piece on Thursday, January 14th, at SOMArts Cultural Center Main Gallery here in San Francisco at 7 PM. This past semester I had the awesome opportunity to be Allan deSouza’s teaching assistant. He’s a fabulous artist working with some familiar materials to me (digital photography and Photoshop) and not so great materials to me (saliva, nail clippings, and other naughty body stuff). He is included in the group exhibition Invisible Homes, curated by Justin Hoover at SOMArts and on Thursday, he will be giving his artist’s lecture. However, the artwork he is exhibiting is created by a fictional character he created named X.Man. X.Man will actually be giving this lecture. But X.Man is not acted by Allan, but by the Exmats. The Exmats are four artists: me, Donald Daedelus, Rashin Fahandej, and crystal am nelson. Pretty neat, huh? Love that post-modern story telling of a single character being played by many.

The other big update is that the Dream Captchas that my alter ego, Gus23, created in 2008, are having a little bit of a renaissance. Somehow, a huge surge in blog coverage hit a week ago (I think it’s thanks to reddit). Twitter wasn’t around two years ago, so it’s pretty cool to have this amount of interest (and sales, woopee!) hit with real-time tracking. You go, Gus23.

Other than that, school starts up again next week. I’ve been playing tennis like a mad man. Oh, and I have a three-person show (me, Renee Rhodes, and Yael Zaken) at the Diego Rivera Gallery at the undergraduate SFAI campus February 28th through March 6th. Stay tuned for those deets.

Clickerz!

•December 15, 2009 • Leave a Comment

December 10 to December 15
(I usually post on Wednesday, but I’ll be flying all day tomorrow. Let the Holidayz begin!)

What Does “Too Many/Much” Mean? Open Thread
By Edward Winkleman

Oscar Standings: Everyone Gets a Bump from Weekend Awards
By Richard Rushfield
Gawker

Use your illusion
Compiled by boston.com

Towering follies: the Dubai architecture you couldn’t make up
By Steve Rose
guardian.co.uk

Clickerz!

•December 9, 2009 • Leave a Comment

December 3 to December 9

Car Flipped By Wrecking Ball, Real or Fake? [Viral Videos]
By Jennifer Van Grove
Mashable

Rihanna Brings the Laughs in ‘Shy Ronnie’ SNL Digital Short
By Andy Towle
Towleroad
(I am Obsessed with this video! Rihanna’s eyes, gestures, unexpected surprises…all amazing!)

Boot Camp By Richard Phibbs
YVY

The Worst Excesses of Art Basel 2009
By Alexandra Peers
Vulture

Clickerz!

•December 2, 2009 • Leave a Comment

I thought I’d share some links with y’all. Every Wednesday I’ll post a couple links to articles, stories, images, videos, etc. that kept me glued to my monitor. Feel free to click ‘em, or not! I wanna share some of the ambient information that subtly molds my consciousness.

Church ‘lied without lying’
By Patsy McGarry
Irish Times

Seven Reasons Why White House Party Crashers are Awesome for America

By Foster Kamer
Gawker


When Artists Dry Up

By Terry Teachout
The Wall Street Journal

On Remember Ross Laycock
By greg allen
greg.org

Attracting boys to ballet still a challenge

By Janice Steinberg
Sign On San Diego

LGBT Americans Whitewashed from “Everyday Life” at the Met

By Stephen Bottum
Band of Thebes

Street Performer: greenpeace dude

•November 19, 2009 • Leave a Comment

Pretty drawing ain’t it? Today for brunch, I ate at a small cheesesteak place that had a nice sitting area. As you can see in the pic above, I’m the blue star sitting inside the red store. All the red lines are glass. So imagine me, sitting there, looking in the direction of the yellow line—I was staring into the other window area. In the reflection of the window, I could clearly watch a dude (the purple star) standing on the corner. I had passed that dude on the way to store and boy, he was so hot, but that’s another story for another place and time.

It turns out that this dude was a Greenpeace employee—volunteer?—I’m not quite sure, but he was one of those people you often see on the urban streets who ask for a few minutes of your time. Who has time to give? From the look of it, not very many people.

He had a clear quarter mile view in every direction, so he could see people coming his way (but not many since it was about 11 AM on a weekday). I noticed that he did a lot of pointing. Someone would be about thirty feet away (I knew this because they were Not in the reflection) and he’d start pointing at them as if he threw in a fishing hook. As they inevitably passed by him, he’d sorta throw back his shoulders, give the ‘what?’ expression with his arms, and then turn to find his next fish.

When he did find someone willing to talk to him for a few seconds, he became very rigid, kept pointing, and seemingly stood taller than he was—he looked like a generic politician running for office.

It was the moment where he was a little slumped over, as if he were defeated—taking a pause between pointing and finding fish, kicking around a pebble on the sidewalk—that he seemed super real. It was as if he was more inviting when he was a bit vulnerable and coy. Add that with his looks, and man, I woulda stopped Him and asked him what was wrong. (Though, two things: one, I’d never talk to a stranger and two, clipboards always give the selling-thing away.)

All in all, I thought his performance was more intriguing when he was himself and not the performer he is probably required to be while on the job. Last night I watched Charles Atlas’s The Legend of Leigh Bowery for the first time, and it really got me thinking about the private and public personas we play. (Charles Atlas came to speak at SFAI last Friday. He’s a nice guy.) And perhaps not so much the private persona we play, but the private persona that truly is our default. Do we even have one? So far, mine is that of ‘a still, focused, and total observer’.

I very much enjoyed watching this greenpeacer do his thing, both on and off the clock. I also hope that if he reads this, he has a nice puppy to go home to.